September 12–November 3, 2024
MART Foundation & ARLEKIN
Classic Stage Company, New York
Awards:
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Drama League Awards Nomination, Outstanding Revival of a Play
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Drama Desk Awards Nomination, Eric Dunlap, Outstanding Projection and Video Design
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Outer Critics Circle Awards Nomination, Gus Birney, Outstanding Featured Performer in an Off-Broadway Play
Written by Tadeusz Slobodzianek
Adapted by Norman Allen
Directed by Igor Golyak
Scenic Design by Jan Pappelbaum
Costume Design by Sasha Ageeva
Lighting Design by Adam Silverman
Sound Design by Ben Williams
Projections Design by Eric Dunlap
Composer Anna Drubich
Music Director Lisa Gutkin
Chalk Drawing Design Andreea Mincic
Choreographer Or Schraiber
Hair & Makeup Design Timur Sadykov
Intimacy & Violence Design Leana Gardella
Dramaturg Rachel Merrill Moss
Production Manager Britany Coyne
Production Stage Manager Kyra Bowie
Associate Producer Anastasia Gudkova
General Management Martin Platt
Executive Producers Sofia Kapkova & Sara Stackhouse
Produced by MART Foundation & ARLEKIN
Featuring: Gus Birney, Andrey Burkovskiy, José Espinosa, Tess Goldwyn, Will Manning, Stephen Ochsner, Alexandra Silber, Richard Topol, Ilia Volok, and Elan Zafir
FALL 2024
ARLEKIN IN RESIDENCE AT CLASSIC STAGE COMPANY
OUR CLASS
Friends. Enemies. Classmates.
Based on a true story
THE MERCHANT OF VENICE
A bold new adaptation of Shakespeare's masterpiece
November 22–December 22 2024
MART Foundation & ARLEKIN
Classic Stage Company, New York
Written by William Shakespeare
Directed and Adapted by Igor Golyak
Scenic Design by Jan Pappelbaum
Costume Design by Sasha Ageeva
Lighting Design by Seth Reiser
Composer/Sound Design by Fedor Zhuravlev
Associate Sound Design by John Gaspar
Projections Design by Igor Golyak
Production Manager John Lant
Production Stage Manager Kyra Bowie
Associate Producer Anastasia Gudkova
General Management Martin Platt
Arlekin General Manager Mark Soucy
Associate Producer Anastasia Gudkova
Executive Producer Sara Stackhouse
Co-Presenter Sofia Kapkova
Produced by MART Foundation & ARLEKIN
Marketing Manager Anna Rylnikova
Graphic Design by Gosha Chubukin
Casting Consultant Stephanie Klapper Casting, C.S.A
Press Keith Sherman & Associates
Featuring: Gus Birney, José Espinosa, Tess Goldwyn, T.R. Knight, Stephen Ochsner, Noah Pacht, Alexandra Silber, Richard Topol, Delilah Napier, and Elan Zafir
SPRING 2024
THE DYBBUK
Between two worlds
US Premiere | May 30 – June 23, 2024
ARLEKIN
The Vilna Shul, Boston
Written by Roy Chen
Based on the original play by S. Ansky
Adapted by Igor Golyak with Dr. Rachel Merrill Moss
With additional material from the translation by Joachim Neugroschel
Directed by Igor Golyak
Scenic Design Igor Golyak
with Sasha Kuznetsova
Costume & Properties Design Sasha Ageeva
Lighting Design Jeff Adelberg
Music & Sound Design Fedor Zhuravlev
Stage Managers Christina Monaco & Sarah O’Neill
Produced by Sara Stackhouse
Starring Andrey Burkovskiy & Yana Gladkih
Featuring The Arlekin Acting Company
With Guest Artists Deb Martin & Robert Walsh
Just Tell No One
Directed by Igor Golyak
Visual Dramaturgy by Irina Kruzhilina
Video & Effects Design by Eric Dunlap
Sound Bed Design by Eric D Clark
Properties, Irina Vilenchik with Julia Shikh
Produced by Sara Stackhouse
Part of Worldwide Ukrainian Play Readings, a project of the CITD Hope Initiative
Based on Material by Ukrainian Playwrights:
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Bad Roads
by Natal’ya Vorozhbit, translated by Sasha Dugsdale -
Three Rendezvous
by Natal’ya Vorozhbit, translated by John Freedman with Natalia Bratus -
Just Tell No One
from the full-length play Night Devours Morning
by Oksana Savchenko, translated by John Freedman
Site-specific, multimedia staged readings
Lincoln Center, New York, March 2023
(Live & Streamed Worldwide)
Featuring: Jessica Hecht, Bill Irwin, David Krumholtz, Nathan Malin, Will Manning & Tedra Millan
Production Photos
Huntington Theatre, Boston, April 2023
Featuring: Allyn Burrows, Dennis Trainor Jr., Adrianne Krstansky, Elliott Purcell, Gene Ravvin, Garrett Sands & Gigi Watson.
Production Photos
Arlekin Players Theatre, Needham, October 2023
Featuring: Lucas Boniface, Irina Bordian, Daniel Boudreau, Polina Dubovikova, Benjamin Evett, Rimma Gluzman, Anne Gottlieb, Alexander Petetsky, Gennadiy Ravvin, Julia Shikh, & Robert Walsh
Production Photos
The Orchard Off Broadway
Arlekin Players Theatre | Zero Gravity (zero-G) Virtual Theater Lab
Hybrid piece of theater and can be seen in two formats:
Live and In Person OR Virtual Experience Online, accessible worldwide
May–June 2022
Baryshnikov Arts Center, New York
November 2022
The Robert J Orchard Theater, Paramount Center, ArtsEmerson, Boston
Conceived, adapted and directed by Igor Golyak
Based on The Cherry Orchard by Anton Chekhov,
as translated by Carol Rocamora
With new material by Igor Golyak
Featuring Jessica Hecht as Ranevskaya
With Juliet Brett, Darya Denisova, Jeffrey Hayenga, Elisa Kibler, John McGinty, Nael Nacer, Mark Nelson and Ilia Volok
And Mikhail Baryshnikov as Anton Chekhov and Firs
Executive Producer: Sara Stackhouse
Produced by Arlekin Players Theatre and (zero-G) Lab
In association with Cherry Orchard Festival, Groundswell Theatricals and ShowOne Productions
Elliot Norton Award, Best Design, Visiting Production
***
The Orchard invites us into the fragile world of a family yearning for connection and struggling with the end of their world as they know it. Threatened with foreclosure and the loss of their beloved orchard, they face unstoppable, destructive forces that dismantle their lives like the breaking of a string.
chekhovOS
an experimental game
Based on The Cherry Orchard by Anton Chekhov
Conceived & Directed by Igor Golyak
Featuring Jessica Hecht as Ranevskaya and Mikhail Baryshnikov as Anton Chekhov
Virtual Set & Environment Designer: Anna Fedorova
Game Engine & Interaction Design: Will Brierly, Snowrunner Productions
Virtual Performance Technical Director: Vladimir Gusev
Music composition by Jakov Jakoulov
Produced by Igor Golyak & Sara Stackhouse
Platform: The Soft Layer by Snowrunner Productions
***
chekhovOS fused film, theater and video game technology to create a new medium where viewers are able to interact directly with the performers. Inspired by Anton Chekhov’s The Cherry Orchard and drawing from recordings of Chekhov’s letters and dreams, this interactive online theater experience accesses the operating system behind both Chekhov’s computer and the world in which his characters live, searching for happiness.
Arlekin Players Theatre
Zero Gravity (zero-G) Virtual Theater Lab
May–June 2021
Virtual | Online
Awards:
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Broadway World Regional Award: Best Director of a Streamed Production
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2022 Elliot Norton Special Citation for ‘Pioneering work in Online Theater’
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Twi NY Pandemic Award
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Best Theater of 2021, Don Aucoin, The Boston Globe
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Best Theater of 2021, Jules Becker, The Jewish Journal
Arlekin Players Theatre
Zero Gravity (zero-G) Virtual Theater Lab
June–July 2020
Virtual | Online
Awards:
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New York Times Critic’s Pick
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London Fringe Festivals “OFFies Award” Nominee
Based on Natasha’s Dream by Yaroslava Pulinovich
Adapted & Directed by Igor Golyak
Translated by John Freedman
Starring Darya Denisova as Natasha
Production Associate: Marianna Golyak
Animator: Anton Iakhontov
Music Composer: Vadim Khrapatchev
Produced by Igor Golyak & Sara Stackhouse
***
Rehearsed and live streamed in Igor’s living room during quarantine, this piece was created as a new form to overcome social distancing and the pandemic, ultimately uniting people in one virtual space by merging theater, cinematography and video games.
In State vs Natasha Banina, a teenage girl tells the story of her life in a small-town orphanage and her desire to be free, to break out of her world. From the inside of a Zoom courtroom, she makes twists and turns through her unique appeal to audiences as the jurors, letting them into her world where she dreams about love, family, acceptance, adjusting and her future. Ultimately the two worlds collide, and the audience must decide her fate.
State vs. Natasha Banina
The Seagull
By Anton Chekhov
Directed by Igor Golyak
Scenic Design by Nikolay Simonov
Costume Design by Nastya Bugaeva
Lighting Desing by Jeff Adelberg
Music Composition by Jakov Jakoulov
***
This new adaptation of Anton Chekhov’s The Seagull brought together different cultures, languages and backgrounds to reach new grounds in human understanding and compassion. While the main themes of the play revolve around art and theater, there is an incredible void that is ever growing between characters, that ultimately ends with a suicide of an artist.
It is an exploration of the nature of an artist, the longing to realize oneself, stand up against the deadening of the arts, of people, and of life. While sometimes at the expense of relationships and loved ones, an incredible beauty is discovered by said artist that heals and unites people.
By mixing different languages, and going deep into exploring Chekhov’s world of creation through his journals, letters and the play itself, this production looked to answer our own struggles as artists and as people in the 21st century. The alienation of people in the play was found to be very relevant today, where countries–just like people–struggle to listen and hear, look and see, and ultimately connect to find compassion.
Arlekin Players Theatre
November–December 2019
In-Person
Awards:
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2020 Elliot Norton Award Nominee: Outstanding Production
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2020 Elliot Norton Award Nominee: Outstanding Direction
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2020 Elliot Norton Award Nominee: Outstanding Ensemble
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2020 Elliot Norton Award Winner: Outstanding Design
The Stone
Arlekin Players Theatre
September 2019
In-person
Awards:
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2020 Eliot Norton Award Winner: Outstanding Production
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2020 Eliot Norton Award Winner: Outstanding Direction
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2020 Elliot Norton Award Nominee: Outstanding Ensemble
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2020 Elliot Norton Award Nominee: Outstanding Design
By Marius von Mayenburg
Directed by Igor Golyak
Scenic Design by David R. Gammons
Costume Design by Nastya Bugaeva
Lighting Design by Jeff Adelberg
Music Composition by Jakov Jakoulov
***
In 1935, a young couple purchases a house from a Jewish family in Dresden, Germany. The play follows the lives of the house’s residents, who must grapple with their own identity while experiencing the reverberations created by 60 years of German history. As a house passes from owner to owner, and from generation to generation, the secrets buried in the garden and seeping from the walls reveal themselves.
WITNESS
Written by Nana Grinstein
with Blair Cadden & Igor Golyak
Conceived and directed by Igor Golyak
Scenography & Costume Design by Anna Fedorova
Virtual Design by Daniel Cormino
Sound Design by Viktor Semenov
Director of Photography/Editor: Anton Nikolaev
Produced by Sara Stackhouse
Featuring the Arlekin Acting Company
***
WITNESS is a new documentary theater piece about Jewish immigration in the face of antisemitism. WITNESS brings actors and audience together from around the world for a shared immersive experience set on a boat in digital space. The piece is inspired by the journey of the MS St. Louis, which left Hamburg in 1939 with over 900 Jewish people on board and headed to Cuba only to be turned away, leaving the passengers stranded with nowhere to go and no escape. WITNESS shares stories of Jewish immigrants from around the globe through an interactive virtual theater experience at the nexus of film, theater and video games.
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Arlekin Players Theatre
Zero Gravity (zero-G) Virtual Theater Lab
December 2021– January 2022
Virtual | Online
Awards:
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Boston Globe Critic’s Pick
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This Week in New York Pandemic Award Winner: Best Immersive Historical Drama
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Best Theater of 2021, Jules Becker, Jewish Journal
The Merchant of Venice
Actors’ Shakespeare Project
September–October 2021
In-person
Awards:
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Best Theater of 2021, Don Aucoin, The Boston Globe
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Best Theater of 2021, Ed Seigel, WBUR
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Best Theater of 2021, Jules Becker, The Jewish Journal
By William Shakespeare
Directed by Igor Golyak
***
Exploring themes of prejudice, mercy, compassion, revenge, and humanity/inhumanity, this production of The Merchant of Venice set the story in the present moment. Bassanio, a Venetian lord whose pockets are currently empty, needs a loan to travel to the island of Belmont and pursue Portia, a rich heiress. His dear friend Antonio, a wealthy nobleman of Venice, agrees to give him a loan and, in turn, borrows the money from a Jewish moneylender, Shylock. Shylock, who has resented Antonio for many years, locks him into a legal bond that will threaten his life if not fulfilled. The duality of Venice’s Carnivale – its lush, irreverent playfulness alongside its hidden underbelly of subversiveness – sets the stage for this drama to unfold, asking how much we have truly evolved in our empathy for those we think of as the “other.”